Each piece consists of a tubular steel structure, a simple and recognizable shape, dressed with a hand-sewn, spiky textile cover that transforms it into a creature. Like a ritual, the act of dressing these pieces gives them a new identity: half furniture, half being. The covers, with their spiky shapes, evoke natural morphogenesis: subtle variations within repetitions, creating an organic, almost living pattern that invites an emotional and primal connection, akin to the instinctive bond we feel toward small or familiar elements in nature.